Arranged into four sections, the show begins with a gallery devoted to “I.” Largely composed of works that address shifting perceptions of personal identity, this space will contain pieces by John Coplans, Robert Gober, Robert Mapplethorpe, Mark Morrisroe, Catherine Opie, Cindy Sherman, Kiki Smith, Carrie Mae Weems, and Francesca Woodman, among others. Though many of the works are self-portraits, others play with notions of individuality such as Jasper Johns’s Racing Thoughts (1983) and Glenn Ligon’s 1990 painting Untitled (I Do Not Always Feel Colored).
Moving into the “YOU” section, the perspective shifts outward as works portray intimate interactions between artists and their subjects. Within this section are Sally Mann’s pair of photographs of her son in Jessie as Jessie and Jessie as Madonna (1990); Jim Dine’s etchings of his wife in Nancy Outside in July IV (1978) and Nancy Outside in July XXI: The Red Frame (1981); and Richard Avedon’s portrait, Bill Curry, Drifter, Interstate 40, Yukon Oklahoma 6/16/80 (1980). Included in this section are also works by Peter Hujar, Alfred Leslie, Hung Liu, Andrea Modica, Shirin Neshat, Jack Pierson, Richard Prince, David Salle, and Lorna Simpson.
A link to the exhibition is here.