Igor Melnikov – Dreamer


SKU: 23652

Artwork Description

Igor Melnikov – Dreamer

Dimensions: 28 x 11 x 7″ finished size
Year: 2017
Medium: wood and paint

Melnikov’s sculptural work, Dreamer, uses his traditional child motif to convey expressive ambiguity. While Melnikov establishes a sense of depth and texture by attending to detailing in the figure’s clothes, the child’s face functions as a blank canvas, allowing viewers to project their desires, emotions, and understandings onto the sculpture. The figure’s dress also interjects an aspect of temporal ambivalence, where bagginess evokes the image of a child dressed in adult’s clothing.

Igor Melnikov’s works center about processes of discovery and development. After learning that the black and white images of old master works he looked at as a child were painted in color, Melnikov has oriented his work to allow viewers to attach meaning to the otherwise simple scenes. Many of his paintings portray landscapes and young children—subjects which allow viewers to adapt his visual language into individual understandings. This approach complicates traditional associations between children and innocence, suggesting that Melnikov’s subjects are at once dynamic and open to a broad range of interpretations. Melnikov’s work also focuses on emotion—reworking feelings such as tragedy and happiness. He believes the two coexist, where allowing oneself to experience happiness inexorably makes one vulnerable to tragedy. Within this, Melnikov does not define happiness as mere pleasure; rather, it is something which demands attributes such as courage and touches on wider themes including freedom, dignity, and consciousness. Melnikov’s paintings are collage-like, yet not in the traditional, material sense of the process—instead layering his own psychological explorations onto his understandings of the human condition. While his muted color palettes might appear reductive, they instead focus viewers’ attention on the figures within the work and encourage thorough readings of the detailing that remains visually available.

By Keira Seidenberg, Art History/Gender Studies student, McGill University