by Tonya Turner Carroll | Sep 15, 2023 | Past Exhibitions, Uncategorized
Jamie Brunson, Candy Colored Happiness Sunset, 2022, oil, alkyd, and wax on polyester over panel, 48 x 96″ Opening Reception Friday, September 15, 5 – 7 pm In conjunction with the opening of Santa Fe’s new contemporary art museum, New Mexico Museum of Art...
by Michael Carroll | Mar 21, 2022 | Natalie Christensen, Podcast
Getting to the Art of It · 3. Natalie Christensen and Jim Eyre In this episode I speak with Natalie Christensen and Jim Eyre, on their exhibition at Turner Carroll Gallery opening March 11. In March, 2020, Natalie Christensen (USA) and Jim Eyre (UK), like many of us...
by Michael Carroll | Mar 11, 2022 | Natalie Christensen, Past Exhibitions
Work in Natalie Christensen and Jim Eyre: TOGETHER/APART exhibition may be seen here. About this exhibition TOGETHER/APART, the artists say it best, “These composite images of surreal cityscapes embody the disquieting experience of how our lives have been...
by Michael Carroll | May 13, 2020 | Art as a Universal Language, Blog, Library, News
Pablo Picasso – Guernica Painting is a blind man’s profession. He paints not what he sees, but what he feels, what he tells himself about what he has seen.-Pablo Picasso Art is important because it’s part of the story we tell about ourselves; it’s our culture....
by Michael Carroll | Jan 28, 2020 | Natalie Christensen, News, Past Exhibitions Old Years
When Turner Carroll artist, Natalie Christensen, received an official invitation from the Embassy of the United Arab Emirates in Washington D.C., to attend the UAE Architectural Delegation, she believed the email was spam. It was nearly overlooked. Christensen,...
by Michael Carroll | Jan 25, 2019 | Natalie Christensen, Past Exhibitions - Natalie Christensen, Past Exhibitions Old Years
Last night I dreamt I knew how to swim is an exhibition of new work by Natalie Christensen. The title is from Patti Smith’s 2017 book Devotion, an apt construction as the main story and the title of the book are epynomous, not unlike Christensen’s...