Artwork Description
Judy Chicago – Vulnerable (from The End: A Meditation on Death and Extinction)
Dimensions: 14 x 20 x 2.5″ framed / 12 x 18″ unframed
Year: 2015-2016
Medium: kiln fired glass paint on black glass
Judy Chicago’s “Vulnerable” is from her “The End: A Meditation on Death and Extinction” series which premiered at the National Museum of Women in the Arts in 2019. The museum writes “Chicago expresses compassion for the natural world by addressing human greed through factual, heart-wrenching descriptions. These works highlight her meticulous handwriting and commitment to research, presenting urgent information.” This work embodies Chicago’s life-long endeavor to promote equanimity among all species.
Judy Chicago is a pioneer of feminist art since the early 1970s, Judy Chicago advocates issues of women’s liberation and independence through diverse media including paintings, drawings, sculptures, and collaborative installations. Her iconic work “The Dinner Party,” (1974—1979), which is now permanently installed in the Brooklyn Museum of Art’s Elizabeth A. Sackler Center for Feminist Art, is widely regarded as one of the most influential works of feminist art. With Miriam Schapiro, Chicago co-founded the Feminist Art Program at the California Institute of the Arts—the first program of its kind—and collaborated on the formative installation Womanhouse (1972). More recently, Chicago has expanded upon her efforts in gender politics, focusing on broader social issues. Her work has been exhibited extensively at venues such as the Los Angeles Museum of Contemporary Art, the New Museum, the Centre Pompidou, the Whitney Museum, and the Jewish Museum in New York.
Judy Chicago speaks of her work as “trying to infuse women and women’s history with a sense of the sacred and the valuable, because there are all these things associated with women that have been devalued: our bodies, our crafts, our history,” continuing on to say she “tried to bring the same thing to bear on [her] work.”